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ŠUM#17 - Meta-Stability and the Diagonal Method

A theory-fiction text that refuses the border between conceptual writing, scene construction, and speculative narrative.

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Archive condition

The extracted text is present, but the work has not yet had a full editorial pass. The page stays public and linkable while treating quotation and interpretation cautiously.

What survives here

The central move of theory-fiction is to treat style and concept as inseparable. Fiction is not illustrative garnish placed on top of theory; it is one of the ways theory begins to operate materially.

These texts work by montage, compression, fictional carriers, and unstable voices. They build scenes, entities, markets, or atmospheres that behave like conceptual machines rather than like examples waiting to be decoded.

That matters because a great deal of the archive's originality lies in form. The writing does not merely report on cyberculture and modernity; it engineers new ways of sensing and narrating them.

Reading note

Read the title, opening burst, and recurring terms before trying to flatten the text into a normal argument. Orientation comes from motifs and relays, not from a single thesis statement.

Track where journalism, fiction, market language, and philosophy contaminate each other. That contamination is the method.

Representative extracts

Definition · paragraph 22

This is where I would look to the extended mind theory. To be sure, Simondon’s notions of metastability and the transindividual already go a long way in dealing with this problem. The theory of extended mind does, however, develop the aforementioned Simondonian insights significantly.

Definition · paragraph 1

Furthermore, Prosen was always great at anticipating future shifts of the field, such as Justin Murphy going big, by virtue of true insight, acute alpha, rather than by having some Timotej Prosen, Maks Valenčič, Tisa Troha META-STA­BIL­I­TY AND THE DIAG­O­NAL METHOD AN INTERVIEW WITH TIMOTEJ PROSEN ŠUM#17

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