Text page
Plant - Beyond the Screens Film Cyberpunk Cyberfeminism (Variant 1993)
"Plant - Beyond the Screens Film Cyberpunk Cyberfeminism (Variant 1993)" survives mainly as a clipping, wrapper-heavy scan, or damaged extraction, but still marks an important route through cyberfeminism and technical subjectivity.
Archive condition
The current extracted text is too thin or too damaged for robust quotation. This page preserves provenance, section routing, and contextual notes without pretending the surviving wording is sufficient.
What survives here
Even in compromised form, the page identifies a line in which cyberfeminism, information systems, and synthetic subjectivity are being forced together. The surviving title and provenance still matter because they keep that line visible.
The page therefore works through metadata, section placement, and cautious contextualization rather than through long quotation. The damaged extraction is treated as archival trace rather than as a stable textual witness.
That matters because this section is not only a canon of cleanly preserved essays. It also documents how feminist and cybernetic arguments circulated through magazines, supplements, interviews, and now-fragmentary captures.
Reading note
Use the page for orientation and cross-linking first. The conceptual thread is more reliable here than the surviving extraction.
Follow outward to the stronger Plant, Parisi, and xenofeminist pages if you need sustained quotation or a more complete argument-line.
Representative extracts
No safe representative extracts are available from the current extracted text.
Appears in sections
Cyberfeminism, Xenofeminism, and Technical Subjects Primary section
Sadie Plant, Amy Ireland, and the technical, gendered, and synthetic subject positions running through the archive.